I'm searching for the Louve, not the Louvre.
While I'm in Paris, it is not my goal to attend the
grande art expositions of the city, but rather to explore its inner reaches for
my spirit animal at present.
The animals which inspire me range from The Owl to
The Dolphin, but a good middle ground is the Louve- the She-Wolf.
At the table where I eat mon petit dejuener et mon
diner, I opened the dictionary. The dictionary is like a cookbook with recipes
of comprehension for the kitchen conversations. It bares no attention to the
phrases I seek, just the words that make them.
It's morning, I'm alone, I open the dictionary and
find her. Of all the words-, Louve. Translation? She-Wolf.
The basis of my study.
Today is February 2nd, La Fete De La Chandeleur. To
describe this holiday, my hostess runs into the bedroom and returns with a
great golden candlestick. She says it is the tradition on this day to eat
Crepes together. I am curious as to the origin of the holiday and wonder if it
has any connection to the Mardi Gras and Lenten period nearing us.
In christianity, the holiday is Candlemas. The day
when the Virgin is purified. My hostess, after doing her research. She says its
a pagan fete, pour le retour de la lumiere. When the light returns, it comes as
the sun, le soliel, the great grainy circle symbolised by the crepe. She
explains to me how the Catholics had a great period of adaptation, of
transforming the Pagan days of reverie into religious ceremonies. The holidays
surrounding Lent, or Le Careme, are no exception.
La fete de la Chadleur is my first hint of a faded
French carnavale season. I follow the She-Wolf's appearances in my days because
she is the natural leader of Winter into Spring. During Lupercalia and
Saturnalia, Pagan Celebration of Greek and Roman antiquity falling at the
beginning of February, the Mother Wolf was venerated.
She, alongside Pan (our great Goat friend and
patron saint of Jitterbug Perfume,) are the central shadow carriers
to the tradition of Light worship at the beginning of February. I realise that
I will not find the carnival of New Orleans Mardi Gras in Paris. Carnavale here
is only the shadow of itself. Children wear masks at school and its cute. But,
as I navigate the sphere of La Louve, I plan to find the remnants of a season
solidified in time.
Today's holiday is the commencement. It is the
purifcation of myself, the fresh female virginal misedomeanor into the candor
of French afterthoughts. Time, Place, Culture in the first two decades of the
21st century, inform the cannon of new Traditions.
Here in the Bagnolet neighborhood outlying Paris, where the immigrants
come to settle, we prepare for Chinese New Year. L'an Nouveau Chinois falls at the same time range as Mardi Gras and the Lupercalia. This
year is the year of the Snake. There is the She-Wolf of these lands, of Old
Europe, who approaches the city of Paris through dictionaries and iconography.
At this time she is accompanied by candlesticks and chopsticks, snakes and
mistakes, masks and geranium plants, store keepers and street walkers, into the
returning of the light.
France Meets Lousiana
Ferme
La Cuisine
Cactus Family
Soggy Wet masks on a Paris Bench near Mardi Gras
Le Carnaval a Paris, Un Exibition a la Maison de Balzac
Marie-Ge et Moi
The stuff.
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